Academic Publishing

Rethinking Sub-Noble Elites in Early Modern Europe

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I am delighted to announce the publication of my latest article, “From Fiscal Exemption to Agrarian Capitalism: A Comparative Study of the Castilian Hidalguía and the English Gentry in the Early Modern Era (16th–18th Centuries)”, featured in the inaugural issue of the History and Art Journal (1:1, Article 4).

This project stems from a long-standing fascination with how sub-noble elites shaped the long-term macroeconomic and political destinies of their respective Atlantic empires. For centuries, the historiographical consensus has often fallen into simplistic culturalist traps or caricatures when evaluating the lower nobility of Spain and Great Britain. This study seeks to dismantle those myths through a rigorous, comparative structural analysis.

The core argument rests on institutional incentives. In the Crown of Castile, hidalguía was an explicit, state-enforced juridical estate. The defensive economic strategies adopted by affluent lower nobles—such as the mayorazgo (entail) and the strict avoidance of oficios mecánicos—were entirely rational responses designed to preserve family prestige and tax immunity within an absolutist framework. Conversely, the English gentry functioned without paritarian peerage or explicit statutory immunity. Forced to anchor their survival in continuous economic viability, they pioneered agrarian capitalism through the enclosure movement and global commercial integration.

To bridge the gap between social history and visual culture, the article also explores how these socioeconomic realities were distilled into enduring national archetypes: Miguel de Cervantes’ idealistic deconstruction of anachronistic honor in Don Quijote and Jane Austen’s precise, marketplace calculations of landed rent rolls in Pride and Prejudice.

In close alignment with Open Science standards, the complete manuscript is fully available in open access. It includes an authoritative iconographic appendix featuring works from the Museo Nacional del Prado and the National Gallery of London, protected under a segregated intellectual property framework.

You can read and download the full paper permanently via its registered repository link:
👉 Download via Zenodo DOI: https://doi.org/10.5281/zenodo.21337205

Presenting History and Art Journal

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I am pleased to introduce History and Art Journal, a digital, open‑access, scholar‑led publication dedicated to advancing research in history, art, cultural heritage, and documentary practices. The journal has been conceived as a space where rigorous scholarship and interdisciplinary perspectives can converge, offering researchers an opportunity to share studies that illuminate the past through its documents, images, and material expressions.

Hosted on Zenodo, the journal embraces the principles of open access, transparency, and international collaboration. Its scope reflects the breadth and richness of the humanities, welcoming work that engages with cultural heritage and preservation, archival and documentary culture, art history and iconography, visual and material culture, genealogy and noble identity, and digital humanities applied to historical or artistic research. Contributions may take the form of research articles, documentary studies, critical editions, visual analyses, methodological reflections, or other scholarly outputs aligned with the journal’s mission. Submissions are welcomed from researchers, independent scholars, and professionals working across the humanities and heritage sectors.

To ensure academic quality and thematic coherence, History and Art Journal applies an editorial curation process. All submissions are reviewed by the editorial team, who assess their relevance to the journal’s fields of interest, the clarity and rigour of their argumentation, the responsible use of sources, and their adherence to ethical and legal standards. Authors may receive recommendations for revision when appropriate. Submissions that do not meet the journal’s academic standards or fall outside its thematic focus may be declined.

Researchers interested in contributing to the journal are warmly invited to explore the Zenodo community and consider submitting their work: https://zenodo.org/communities/history-and-art-journal/

History and Art Journal is published in Doncaster, United Kingdom, and aims to foster a vibrant, international dialogue around history, art, and documentary culture.